翻訳と辞書
Words near each other
・ The Return of the Durutti Column
・ The Return of the Fabulous Hofner Bluenotes
・ The Return of the Fellowship of the Ring to the Two Towers
・ The Return of the Frog
・ The Return of the Gangsta
・ The Return of the Great Gildersleeves
・ The Return of the Herd
・ The Return of the Joker
・ The Return of the King
・ The Return of the King (1980 film)
・ The Return of the King (disambiguation)
・ The Return of the Living Dead
・ The Return of the Los Palmas 7
・ The Return of the Magnificent
・ The Return of the Magnificent Seven
The Return of the Mail-Order Bridegroom
・ The Return of the Manticore
・ The Return of The Marvelettes
・ The Return of the Musketeers
・ The Return of the Musketeers, or The Treasures of Cardinal Mazarin
・ The Return of the Native
・ The Return of the Pink Panther
・ The Return of the Prodigal Son (album)
・ The Return of the Prodigal Son (Rembrandt)
・ The Return of the Psychopath
・ The Return of the Rat
・ The Return of the Regulator
・ The Return of the Riddle Rider
・ The Return of the Shaggy Dog
・ The Return of the Sister Street Fighter


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The Return of the Mail-Order Bridegroom : ウィキペディア英語版
The Return of the Mail-Order Bridegroom

''The Return of the Mail-Order Bridegroom'' is a covers album by Australian guitarist and songwriter Ed Kuepper released in 2014. Recorded in three days and featuring Kuepper alone with no overdubbing, it contains reworked acoustic versions of songs by his former bands The Saints and Laughing Clowns, as well as new versions of his solo material and songs popularised by artists including Jimi Hendrix and The Walker Brothers. Apart from "No Regrets," all of the songs were selected from those he had played during a 2013 "Solo and By Request" Australian tour.
==Background==

Kuepper spent most of 2013 on the road, performing a series of "Solo and By Request" shows, in which he performed almost any song from his career that his audience challenged him to play. He told ''Tom'' magazine: "It wasn’t a situation where I gave people a list of two-dozen songs and said request something from that list. They could request whatever they liked." Many of the performances were taped, but Kuepper said because they were live recordings in different rooms, the sound was different on each one. "I wanted something that was more coherent, something I was actually feeling had come out of this whole process of sort of throwing myself at the mercy of the audience in a way."
"The amount of time that was required to go through and make those recordings coherent was more than I was prepared to do—I just didn’t have that much time for it," he told the Collapse Board website. "So I thought, why don’t I just book some time for a studio and go in and play some of the songs that were requested? So I did the exact same thing in the studio. I had a list of songs that had been requested a lot and did versions of them that were different to the versions of how they were originally recorded.

"The album reflects, I think, some of the diversity of what was requested. There’s some well-known songs and some relatively not-so-well-known songs. The only song on the album that wasn’t requested on the tour was "No Regrets" by Tom Rush." He said the songs were each recorded in one take without overdubs.
The album title was a reference to ''I Was a Mail Order Bridegroom'', a 1995 album that became the first of a series of limited release, mail-order only albums of live and broadcast performances, but he said ''The Return of the Mail-Order Bridegroom'' was the second instalment of "a kind of thread ... the one before was called ''Second Winter'' and there will be another one in this series, which is at the moment, tentatively titled ''Lost Cities''."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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